Our response to the Flint water crisis

22 06 2016

 

An editorial by Nicholas Kristof was published in the February 13, 2016, issue of the New York Times entitled: “Are you a Toxic Waste Disposal Site?” We think Mr. Kristof makes some great points, so we’ve published the entire editorial below:

EVEN if you’re not in Flint, Mich., there are toxic chemicals in your home. For that matter, in you.

Scientists have identified more than 200 industrial chemicals — from pesticides, flame retardants, jet fuel — as well as neurotoxins like lead in the blood or breast milk – of Americans, indeed, in people all over our planet.

These have been linked to cancer, genital deformities, lower sperm count, obesity and diminished I.Q. Medical organizations from the President’s Cancer Panel to the International Federation of Gynecology and Obstetrics have demanded tougher regulations or warned people to avoid them, and the cancer panel has warned that “to a disturbing extent, babies are born ‘pre-polluted.’”

They have all been drowned out by chemical industry lobbyists.

So we have a remarkable state of affairs:

■ Politicians are (belatedly!) condemning the catastrophe of lead poisoning in Flint. But few acknowledge that lead poisoning in many places in America is even worse than in Flint. Kids are more likely to suffer lead poisoning in Pennsylvania or Illinois or even most of New York State than in Flint. More on that later.

■ Americans are panicking about the mosquito-borne Zika virus and the prospect that widespread infection may reach the United States. That’s a legitimate concern, but public health experts say that toxic substances around us seem to pose an even greater threat.

“I cannot imagine that the Zika virus will damage any more than a small fraction of the total number of children who are damaged by lead in deteriorated, poor housing in the United States,” says Dr. Philip Landrigan, a prominent pediatrician and the dean for global health at the Icahn School of Medicine at Mount Sinai. “Lead, mercury, PCBs, flame retardants and pesticides cause prenatal brain damage to tens of thousands of children in this country every year,” he noted.

Yet one measure of our broken political system is that chemical companies, by spending vast sums on lobbying— $100,000 per member of Congress last year — block serious oversight.[1] Almost none of the chemicals in products we use daily have been tested for safety.

Maybe, just maybe, the crisis in Flint can be used to galvanize a public health revolution.

In 1854, a British doctor named John Snow started such a revolution. Thousands were dying of cholera at the time, but doctors were resigned to the idea that all they could do was treat sick patients. Then Snow figured out that a water pump on Broad Street in London was the source of the cholera[2]. The water company furiously rejected that conclusion, but Snow blocked use of the water pump, and the cholera outbreak pretty much ended. This revelation led to the germ theory of disease and to investments in sanitation and clean water. Millions of lives were saved.

Now we need a similar public health revolution focusing on the early roots of many pathologies.

For example, it’s scandalous that 535,000 American children ages 1 to 5 still suffer lead poisoning, according to the Centers for Disease Control and Prevention[3]. The poisoning is mostly a result of chipped lead paint in old houses or of lead-contaminated soil being tracked into homes, although some areas like Flint also have tainted tap water. (Note:  fabrics often contain lead in the dyes used and as a catalyst in the dyeing process.)

lead paint

While the data sets are weak, many parts of America have even higher rates of child lead poisoning than Flint, where 4.9 percent of children tested have had elevated lead levels in their blood. In New York State outside New York City, it’s 6.7 percent. In Pennsylvania, 8.5 percent. In parts of Detroit, it’s 20 percent. The victims are often poor or black.[4]

Infants who absorb lead are more likely to grow up with shrunken brains and diminished I.Q.[5] They are more likely as young adults to engage in risky sexual behavior, to disrupt school and to commit violent crimes. Many researchers believe that the worldwide decline in violent crime beginning in the 1990s is partly a result of lead being taken out of gasoline in the late 1970s. The stakes are enormous, for individual opportunity and for social cohesion.

Fortunately, we have some new Dr. Snows for the 21st century.

A group of scholars, led by David L. Shern of Mental Health America, argues that the world today needs a new public health revolution focused on young children, parallel to the one mounted for sanitation after Snow’s revelations about cholera in 1854. Once again, we have information about how to prevent pathologies, not just treat them — if we will act.

The reason for a new effort is a vast amount of recent research showing that brain development at the beginning of life affects physical and mental health decades later. That means protecting the developing brain from dangerous substances and also from “toxic stress”— often a byproduct of poverty — to prevent high levels of the stress hormone cortisol, which impairs brain development.

A starting point of this public health revolution should be to protect infants and fetuses from toxic substances, which means taking on the companies that buy lawmakers to prevent regulation. Just as water companies tried to obstruct the 19th-century efforts, industry has tried to block recent progress.

Back in 1786, Benjamin Franklin commented extensively on the perils of lead poisoning, but industry ignored the dangers and marketed lead aggressively. In the 1920s, an advertisement for the National Lead Company declared, “Lead helps to guard your health,” praising the use of lead pipes for plumbing and lead paint for homes. And what the lead companies did for decades, and the tobacco companies did, too, the chemical companies do today.

lead

Lead poisoning is just “the tip of the iceberg,” says Tracey Woodruff, an environmental health specialist at the University of California at San Francisco. Flame-retardant chemicals have very similar effects, she says, and they’re in the couches we sit on.

The challenge is that the casualties aren’t obvious, as they are with cholera, but stealthy and long term. These are silent epidemics, so they don’t generate as much public alarm as they should.

“Industrial chemicals that injure the developing brain” have been linked to conditions like autism and attention deficit hyperactivity disorder, noted The Lancet Neurology, a peer-reviewed medical journal. Yet we still don’t have a clear enough sense of what is safe, because many industrial chemicals aren’t safety tested before they are put on the market. Meanwhile, Congress has dragged out efforts to strengthen the Toxic Substances Control Act and test more chemicals for safety.

The President’s Cancer Panel recommended that people eat organic if possible, filter water and avoid microwaving food in plastic containers. All good advice, but that’s like telling people to avoid cholera without providing clean water.

And that’s why we need another public health revolution in the 21st century.

 

[1] http://www.opensecrets.org/lobby/indusclient.php?id=N13&year=2015

[2] http://www.bbc.co.uk/history/historic_figures/snow_john.shtml

[3] http://www.cdc.gov/mmwr/preview/mmwrhtml/mm6213a3.htm

[4] http://www.nytimes.com/2016/02/07/opinion/sunday/america-is-flint.html

[5] http://journalistsresource.org/studies/society/public-health/lead-poisoning-exposure-health-policy?utm_source=JR-email&utm_medium=email&utm_campaign=JR-email&utm_source=Journalist%27s+Resource&utm_campaign=63b82f94eb-2015_Sept_1_A_B_split3_24_2015&utm_medium=email&utm_term=0_12d86b1d6a-63b82f94eb-79637481

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Climate change and the textile industry

15 10 2014

Time sure flies doesn’t it?  I’ve been promising to reiterate the effects the textile industry has on climate change, so I’m re-posting a blog post we published in 2013:

In considering fabric for your sofa, let’s be altruistic and look at the impact textile production has on global climate change. (I only use the term altruistic because many of us don’t equate climate change with our own lives, though there have been several interesting studies of just how the changes will impact us directly,like the one in USA Today that explains that wet regions will be wetter, causing flash flooding; dry regions will get drier, resulting in drought. And … a heat wave that used to occur once every 100 years now happens every five years (1)).

Although most of the current focus on lightening our carbon footprint revolves around transportation and heating issues, the modest little fabric all around you turns out to be from an industry with a gigantic carbon footprint. The textile industry, according to the U.S. Energy Information Administration, is the 5th largest contributor to CO2 emissions in the United States, after primary metals, nonmetallic mineral products, petroleum and chemicals.[2] And the U.S. textile industry is small potatoes when compared with some other countries I could mention.

The textile industry is huge, and it is a huge producer of greenhouse gasses (GHG’s). Today’s textile industry is one of the largest sources of greenhouse gasses  on Earth, due to this huge size.[3] In 2008, annual global textile production was estimated at 60 billion kilograms (KG) of fabric. The estimated energy and water needed to produce that amount of fabric boggles the mind:

  • 1,074 billion kWh of electricity or 132 million metric tons of coal and
  • between 6 – 9 trillion liters of water[4]

Fabrics are the elephant in the room. They’re all around us but no one is thinking about them. We simply overlook fabrics, maybe because they are almost always used as a component in a final product that seems rather innocuous: sheets, blankets, sofas, curtains, and of course clothing. Textiles, including clothing, accounted for about one ton of the 19.8 tons of total CO2 emissions produced by each person in the U.S. in 2006. [5] By contrast, a person in Haiti produced a total of only 0.21 tons of total carbon emissions in 2006.[6]
Your textile choices do make a difference, so it’s vitally important to look beyond thread counts, color and abrasion results.
How do you evaluate the carbon footprint in any fabric? Look at the “embodied energy’ in the fabric – that is, all of the energy used at each step of the process needed to create that fabric. Not an easy thing to do! To estimate the embodied energy in any fabric it’s necessary to add the energy required in two separate fabric production steps:

  1. Find out what the fabric is made from, because the type of fiber tells you a lot about the energy needed to make the fibers used in the yarn. The carbon footprint of various fibers varies a lot, so start with the energy required to produce the fiber.
  2. Next, add the energy used to weave those yarns into fabric. Once any material becomes a “yarn” or “filament”, the amount of energy and conversion process to weave that yarn into a textile is pretty consistent, whether the yarn is wool, cotton, or synthetic.[7)

Let’s look at #1 first: the energy needed to make the fibers and create the yarn. For ease of comparison we’ll divide the fiber types into “natural” (from plants, animals and less commonly, minerals) and “synthetic” (man made):

For natural fibers you must look at field preparation, planting and field operations (mechanized irrigation, weed control, pest control and fertilizers (manure vs. synthetic chemicals)), harvesting and yields. Synthetic fertilizer use is a major component of the high cost of conventional agriculture: making just one ton of nitrogen fertilizer emits nearly 7 tons of CO2 equivalent greenhouse gases.
For synthetics, a crucial fact is that the fibers are made from fossil fuels. Very high amounts of energy are used in extracting the oil from the ground as well as in the production of the polymers.
A study done by the Stockholm Environment Institute on behalf of the BioRegional Development Group concludes that the energy used (and therefore the CO2 emitted) to create 1 ton of spun fiber is much higher for synthetics than for hemp or cotton:

KG of CO2 emissions per ton of spun fiber:
crop cultivation fiber production TOTAL
polyester USA 0 9.52 9.52
cotton, conventional, USA 4.2 1.7 5.9
hemp, conventional 1.9 2.15 4.05
cotton, organic, India 2 1.8 3.8
cotton, organic, USA 0.9 1.45 2.35

 

The table above only gives results for polyester; other synthetics have more of an impact: acrylic is 30% more energy intensive in its production than polyester [8] and nylon is even higher than that.
Not only is the quantity of GHG emissions of concern regarding synthetics, so too are the kinds of gasses produced during production of synthetic fibers. Nylon, for example, creates emissions of N2O, which is 300 times more damaging than CO2 [9] and which, because of its long life (120 years) can reach the upper atmosphere and deplete the layer of stratospheric ozone, which is an important filter of UV radiation. In fact, during the 1990s, N2O emissions from a single nylon plant in the UK were thought to have a global warming impact equivalent to more than 3% of the UK’s entire CO2 emissions.[10] A study done for the New Zealand Merino Wool Association shows how much less total energy is required for the production of natural fibers than synthetics:

 

Embodied Energy used in production of various fibers:
Energy use in MJ per KG of fiber:
flax fibre (MAT) 10
cotton 55
wool 63
Viscose 100
Polypropylene 115
Polyester 125
acrylic 175
Nylon 250
SOURCE: “LCA: New Zealand Merino Wool Total Energy Use”, Barber and Pellow, http://www.tech.plym.ac.uk/sme/mats324/mats324A9%20NFETE.htm

Natural fibers, in addition to having a smaller carbon footprint in the production of the spun fiber, have many additional benefits:

  • being able to be degraded by micro-organisms and composted (improving soil structure); in this way the fixed CO2 in the fiber will be released and the cycle closed. Synthetics do not decompose: in landfills they release heavy metals and other additives into soil and groundwater. Recycling requires costly separation, while incineration produces pollutants – in the case of high density polyethylene, 3 tons of CO2 emissions are produced for ever 1 ton of material burnt.[11] Left in the environment, synthetic fibers contribute, for example, to the estimated 640,000 tons of abandoned fishing nets in the world’s oceans.
  • sequestering carbon. Sequestering carbon is the process through which CO2 from the atmosphere is absorbed by plants through photosynthesis and stored as carbon in biomass (leaves, stems, branches, roots, etc.) and soils. Jute, for example, absorbs 2.4 tons of carbon per ton of dry fiber.[12]

Substituting organic fibers for conventionally grown fibers is not just a little better – but lots better in all respects:

  • uses less energy for production, emits fewer greenhouse gases and supports organic farming (which has myriad environmental, social and health benefits).  A study published by Innovations Agronomiques (2009) found that 43% fewer GHGs are emitted per unit area under organic agriculture than under conventional agriculture.[13] A study done by Dr. David Pimentel of Cornell University found that organic farming systems used just 63% of the energy required by conventional farming systems, largely because of the massive amounts of energy requirements needed to synthesize nitrogen fertilizers. Further it was found in controlled long term trials that organic farming adds between 100-400kg of carbon per hectare to the soil each year, compared to non-organic farming. When this stored carbon is included in the carbon footprint, it reduces the total GHG even further.[14] The key lies in the handling of organic matter (OM): because soil organic matter is primarily carbon, increases in soil OM levels will be directly correlated with carbon sequestration. While conventional farming typically depletes soil OM, organic farming builds it through the use of composted animal manures and cover crops

Taking it one step further beyond the energy inputs we’re looking at, which help to mitigate climate change, organic farming helps to ensure other environmental and social goals:

  • eliminates the use of synthetic fertilizers, pesticides and genetically modified organisims (GMOs) which is an improvement in human health and agrobiodiversity
  • conserves water (making the soil more friable so rainwater is absorbed better – lessening irrigation requirements and erosion)
  • ensures sustained biodiversity
  • and compared to forests, agricultural soils may be a more secure sink for atmospheric carbon, since they are not vulnerable to logging and wildfire.

Organic agriculture is an undervalued and underestimated climate change tool that could be one of the most powerful strategies in the fight against global warming, according to Paul Hepperly, Rodale Institute Research Manager. The Rodale Institute Farming Systems Trial (FST) soil carbon data (which covers 30 years) provides convincing evidence that improved global terrestrial stewardship–specifically including regenerative organic agricultural practices–can be the most effective currently available strategy for mitigating CO2 emissions.

At the fiber level it is clear that synthetics have a much bigger footprint than does any natural fiber, including wool or conventionally produced cotton. So in terms of the carbon footprint at the fiber level, any natural fiber beats any synthetic – at this point in time. Best of all is an organic natural fiber.
And next let’s look at #2, the energy needed to weave those yarns into fabric.
There is no dramatic difference in the amount of energy needed to weave fibers into fabric depending on fiber type.[15] The processing is generally the same whether the fiber is nylon, cotton, hemp, wool or polyester: thermal energy required per meter of cloth is 4,500-5,500 Kcal and electrical energy required per meter of cloth is 0.45-0.55 kwh. [16] This translates into huge quantities of fossil fuels – both to create energy directly needed to power the mills, produce heat and steam, and power air conditioners, as well as indirectly to create the many chemicals used in production. In addition, the textile industry has one of the lowest efficiencies in energy utilization because it is largely antiquated.

#######
(1) http://www.usatoday.com/story/news/nation/2013/02/28/climate-change-remaking-america/1917169/
(2) Source: Energy Information Administration, Form EIA:848, “2002 Manufacturing Energy Consumption Survey,” Form EIA-810, “Monthly Refinery Report” (for 2002) and Documentatioin for Emissions of Greenhouse Gases in the United States 2003 (May 2005). http://www.eia.doe.gov/emeu/aer/txt/ptb1204.html
(3) Dev, Vivek, “Carbon Footprint of Textiles”, April 3, 2009, http://www.domain-b.com/environment/20090403_carbon_footprint.html
(4) Rupp, Jurg, “Ecology and Economy in Textile Finishing”, Textile World, Nov/Dec 2008
(5) Rose, Coral, “CO2 Comes Out of the Closet”, GreenBiz.com, September 24, 2007
(6) U.S. Energy Information Administration, “International Energy Annual 2006”, posted Dec 8, 2008.
(7) Many discussions of energy used to produce fabrics or final products made from fabrics (such as clothing) take the “use” phase of the article into consideration when evaluating the carbon footprint. The argument goes that laundering the blouse (or whatever) adds considerably to the final energy tally for natural fibers, while synthetics don’t need as much water to wash nor as many launderings. We do not take this component into consideration because
. it applies only to clothing; even sheets aren’t washed as often as clothing while upholstery is seldom cleaned.
. is biodegradeable detergent used?
. Is the washing machine used a new low water machine? Is the water treated by a municipal facility?
. Synthetics begin to smell if not treated with antimicrobials, raising the energy score.
Indeed, it’s important to evaluate the sponsors of any published studies, because the studies done which evaluate the energy used to manufacture fabrics are often sponsored by organizations which might have an interest in the outcome. Additionally, the data varies quite a bit so we have adopted the values which seem to be agreed upon by most studies.
(8) Ibid.
(9) “Tesco carbon footprint study confirms organic farming is energy efficient, but excludes key climate benefit of organic farming, soil carbon”, Prism Webcast News, April 30, 2008, http://prismwebcastnews.com/2008/04/30/tesco-carbon-footprint-study-confirms-organic-farming%E2%80%99s-energy-efficiency-but-excludes-key-climate-benefit-of-organic-farming-%E2%80%93-soil-carbon/
(10) Fletcher, Kate, Sustainable Fashion and Textiles, Earthscan, 2008, Page 13
(11) “Why Natural Fibers”, FAO, 2009: http://www.naturalfibres2009.org/en/iynf/sustainable.html
(12) Ibid.
(13) Aubert, C. et al., (2009) Organic farming and climate change: major conclusions of the Clermont-Ferrand seminar (2008) [Agriculture biologique et changement climatique : principales conclusions du colloque de Clermont-Ferrand (2008)]. Carrefours de l’Innovation Agronomique 4. Online at
(14) International Trade Centre UNCTAD/WTO and Research Institute of Organic Agriculture (FiBL); Organic Farming and Climate Change; Geneva: ITC, 2007.
(15) 24th session of the FAO Committee on Commodity Problems IGG on Hard Fibers of the United Nations
(16) “Improving profits with energy-efficiency enhancements”, December 2008, Journal for Asia on Textile and Apparel, http://textile.2456.com/eng/epub/n_details.asp?epubiid=4&id=3296





What kind of fabric for your new sofa?

26 09 2013

We’ve looked at the frame, suspension system and cushioning on a sofa;  next up:  fabric.  We consider fabric to be a very important, yet certainly misunderstood, component of furniture.  It can make up 40 – 45% of the price of a sofa.    So we’ll be breaking this topic up into several smaller bite size portions:  after a general discussion of what kind of fabric to choose for your lifestyle,  we’ll look at the embodied energy in your fabric choice, and then why an organic fabric is better for you as well as the rest of us.

One thing to remember is that there is much  more fabric used in constructing an  upholstered piece of furniture than just the decorative fabric that you see covering the piece – a typical “quality” sofa also uses about 20 yards of decorative fabric, plus 20 yds of lining fabric, 15 yds of burlap and 10 yds of muslin, for a total of 65 yards of fabric!

So what do people look for in an upholstery fabric?

After color, fabric durability is probably top of everybody’s list.  Durability translates into most people’s minds as “heft” – in other words, a lightweight cotton doesn’t usually come to mind.  A fabric with densely woven yarns tends to be more durable than a loosely woven fabric.  Often people assume leather is the best choice for a busy family.  We did a post about leather – if you’re at all considering leather, please read this first (https://oecotextiles.wordpress.com/2012/05/22/leather-furniture-what-are-you-buying/ ).  Another choice  widely touted is to use Ultrasuede.  Please see our post about this fabric: https://oecotextiles.wordpress.com/2010/09/08/is-ultrasuede%c2%ae-a-green-fabric/.

Equally important in evaluating durability as the weight of the fabric is the length of the fibers.  Cotton as a fiber is much softer and of shorter lengths than either hemp or linen, averaging 0.79 -1.30 inches in length.  Hemp’s average length is 8 inches, but can range up to 180 inches in length. In a study done by Tallant et. al. of the Southern Regional Research Laboratory,  “results indicate that increases in shortfibers are detrimental to virtually all yarn and fabric properties and require increased roving twist for efficient drafting during spinning. A 1% increase in fibers shorter than 3/8 in. causes a strength loss in yarns of somewhat more than 1%.”[1]    In fact, the US textile industry has  advocated obtaining the Short Fiber Content (SFC) for cotton classification.  SFC is defined as the percentage of fibers shorter than ½ inch.  So a lower cost sofa upholstered in cotton fabric, even one identified as an upholstery fabric, could have been woven of short fiber cotton, a cheaper alternative to longer fiber cotton and one which is inherently less durable – no matter how durable it appears on the showroom floor.

Patagonia, the California manufacturer of outdoor apparel, has conducted  tests on both hemp and other natural fibers, with the results showing that hemp has eight times the tensile strength and four times the durability of other natural fibers.   Ecolution had a hemp twill fabric tested for tensile and tear strength, and compared the results with a 12-oz cotton denim.  Hemp beat cotton every time:   Overall, the 100% hemp fabric had 62% greater tear strength and 102% greater tensile strength. [2]   And polyester trumps them both – but that’s a whole different ballgame, and we’ll get to that eventually.

There is a high correlation between fiber strength and yarn strength.  People have used silk as an upholstery fabric for hundreds of years, and often the silk fabric is quite lightweight;  but silk is a very strong fiber.

In addition to the fiber used, yarns are given a twist to add strength. This is called Twist Per Inch or Meter (TPI or TPM) – a tighter twist (or more turns per inch) generally gives more strength.  These yarns are generally smooth and dense.

So that brings us to weave structure.  Weave structures get very complicated, and we can refer you to lots of references for those so inclined  to do more research (see references listed at the end of the post).

But knowing the fibers, yarn and weave construction still doesn’t answer people’s questions – they want some kind of objective measurement.  So in order to objectively compare fabrics,  tests to determine wear were developed (called abrasion tests), and many people today refer to these test results as a way to measure fabric durability.

Abrasion test results are supposed to forecast how well a fabric will stand up to wear and tear in upholstery applications.  There are two tests generally used:  Martindale  and Wyzenbeek (WZ).  Martindale is the preferred test in Europe; Wyzenbeek is preferred in the United States.  There is no correlation between the two tests, so it’s not possible to estimate the number of cycles that would be achieved on one test if the other were known:

  • Wyzenbeek (ASTM D4157-02):  a piece of cotton duck  fabric or wire mesh is rubbed in a straight back and forth motion on a      piece of fabric until “noticeable wear” or thread break is evident.  One back and forth motion is called a “double rub” (sometimes written as “dbl rub”).
  • Martindale (ASTM D4966-98):  the abradant in this test is worsted wool or wire screen, the fabric specimen is a circle or round      shape, and the rubbing is done in a figure 8, and not in a straight line as in Wyzenbeek.  One circle 8 is a cycle.

The Association for Contract Textiles performance guidelines lists the following test results as being suitable for commercial fabrics:

Wyzenbeek Martindale
General contract 15,000 20,000
Heavy duty contract 30,000 40,000

According to the Association for Contract Textiles, end use examples of “heavy duty contract” where 30,000 WZ results should be appropriate are single shift corporate offices, hotel rooms, conference rooms and dining areas.  Areas which would require higher than 30,000 WZ are: 24 hour facilities (like transportation terminals, healthcare emergency rooms, casino gambling areas,  and telemarketing offices) and theatres, stadiums, lecture halls and fast food restaurants.

Sina Pearson, the textile designer, has been quoted in the Philadelphia Inquirer as saying that 6,000 rubs (Wyzenbeek) may be “just fine” for residential use”[3]   The web site for Vivavi furniture gives these ratings for residential use:

Wyzenbeek
from to
Light use 6,000 9,000
Medium use 9,000 15,000
Heavy use 15,000 30,000
Maximum use >30,000

Theoretically, the higher the rating (from either test) the more durable the fabric is purported to be.  It’s not unusual for designers today to ask for 100,000 WZ results.  Is this because we think more is always better?  Does a test of 1,000,000 WZ guarantee that your fabric will survive years longer than one rated only 100,000 WZ?  Maripaul Yates, in her guidebook for interior designers, says that “test results are so unreliable and the margin of error is so great that its competency as a predictor of actual wear is questionable.”[4]  The Association for Contract Textiles website states that “double rubs exceeding 100,000 are not meaningful in providing additional value in use.  Higher abrasion resistance does not necessarily indicate a significant extension of the service life of the fabric.”

There are, apparently, many ways to tweak test results. We’ve been told if we don’t like the test results from one lab, we can try Lab X, where the results tend to be better.  The reasons that these tests produce inconsistent results are:

1. Variation in test methods:       Measuring the resistance to abrasion is very complex.  Test results are affected by many factors that include the properties and dimensions of  the fibers; the structure of the yarns; the construction of the fabrics;  the type, kind and amount of treatments added to the fibers, yarns, or fabric; the time elapsed since the abradant was changed;  the type of  abradant used; the tension of the specimen being tested,the pressure between the abradant and the specimen…and other variables.

2. Subjectivity:    The  measurement of the relative amount of abrasion can be affected by the method of evaluation and is often influenced by the judgment of the operator.  Cycles to rupture, color change, appearance change and so forth are highly variable parameters and subjective.

3. Games Playing:     Then there is, frankly, dishonest collusion between the tester and the testee.  There are lots of games that are played. For instance, in Wyzenbeek, the abradant, either cotton duck or a metal screen, must be replaced every million double rubs. If your fabric is tested at the beginning of that abradant’s life versus the end of its life, well.. you can see the games. Also, how much tension the subject fabric is under –  the “pull” of the stationary anchor of the subject fabric, affects the  rating.

In the final analysis, if you have doubts about the durability of a fabric,  will any number of test results convince you otherwise?  Also, if your heart is set on a silk  jacquard, for example, I bet it would take a lot of data to sway you from your heart’s desire.  Some variables just trump the raw data.

REFERENCES FOR WEAVE STRUCTURE:

1.  Peirce, F.T., The Geometry of Cloth Structure, “The Journal of the Textile Institute”, 1937: pp. 45 – 196

2. Brierley, S. Cloth Settings Reconsidered The Textile Manufacturer 79 1952: pp. 349 – 351.

3. Milašius, V. An Integrated Structure Factor for Woven Fabrics, Part I: Estimation of the Weave The Journal of the Textile Institute 91 Part 1 No. 2 2000: pp. 268 – 276.

4. Kumpikaitė, E., Sviderskytė, A. The Influence of Woven Fabric Structure on the Woven Fabric Strength Materials Science (Medžiagotyra) 12 (2) 2006: pp. 162 – 166.

5. Frydrych, I., Dziworska, G., Matusiak, M. Influence of Yarn Properties on the Strength Properties of Plain Fabric Fibres and Textile in Eastern Europe 4 2000: pp. 42 – 45.

6. ISO 13934-1, Textiles – Tensile properties of fabrics – Part 1: Determination of Maximum Force and Elongation at Maximum Force using the Strip Method, 1999, pp. 16.


[1] Tallant, John, Fiori, Louis and Lagendre, Dorothy, “The Effect of the Short Fibers in a Cotton on its Processing Efficiency and Product Quality”, Textile Research Journal, Vol 29, No. 9, 687-695 (1959)

[2]  http://www.globalhemp.com/Archives/Magazines/historic_fiber_remains.html

[3] ‘How will Performance Fabrics Behave”, Home & Design,  The Philadelphia Inquirer, April 11, 2008.

[4] Yates, Maripaul, “Fabrics: A Guide for Interior Designers and Architects”, WW. Norton and Company.





What does “mercerized” cotton mean?

5 12 2012

fullsizeMercerization is a process applied to cellulosic  fibers  – typically cotton (or cotton-covered thread with a polyester core)  but hemp and linen can be mercerized also – to increase luster.  It is done after weaving (in the case of fabrics) or spinning (for yarns or threads).  But early on it was found that the process also had secondary benefits:  the mercerized fibers were able to absorb more water, and therefore absorb more dye, making the color of the dyed cloth brighter and deeper.  The difference is dramatic:  mercerization increases the absorption of dyestuffs by as much as 25%.[1]  unmercerized-101mercerized-101Not only is the color brighter, it also gives the cloth a better resistance to multiple washings,  keeping the colors bright and unchanged over time.   In addition to increasing luster and affinity to dyestuffs, the  treatment increases strength, smoothness, resistance to mildew, and also reduces lint.  So higher quality yarns and fabrics,  for example, are always mercerized.

The process goes back to the 1880’s.   John Mercer was granted a British Patent for his discovery that cotton and other fibers changed character when subjected to caustic soda (NaOh, also known as sodium hydroxide or lye), sulfuric acid, and/or other chemicals.   One of the changes was that caustic soda caused the fiber to swell, become round and straighten out.  But so what – these changes didn’t impart any luster to the fibers, so his patent was largely ignored.  Then in 1890 Horace Lowe found that by applying Mercer’s caustic soda process to cotton yarn or fabric under tension, the fabric gained a  high luster  as a result of the light reflection off the smooth, round surface created by the NaOH. It became an overnight success and revolutionized the cotton industry. The rest is history.[2]

Later testing proved that cotton fiber in its roving state (no twist in the yarns) would absorb more NaOH than fiber in a twisted state and as a result would absorb more water or dye.  Since fine, long stapled fiber gives the best absorption with the lowest twist, ( some twist is required for treating under tension to gain luster) it is usually the long fiber types of cotton (Sea Island, Egyptian, Pima) that are selected for yarn to be mercerized.   So mercerized cotton fabric starts with a better quality cotton fiber.

How is it done?

To get the desired luster and tensile strength,  cotton is held under specified tension for about ten minutes with an application of between 21%-23% caustic soda (NaOH) and wetting agents (used to facilitate the transfer of the NaOH into the fibers), at room temperature.  Then the fabric is neutralized in an acid bath.

Luster is a result of light reflection off a surface. The more glass like the surface, the better the luster. Yarn in its spun, treated state still has a very fine covering of tiny fiber ends (fuzz). This fuzz is removed by passing the yarn (or fabric) through a controlled heated atmosphere termed singeing (gas fired in the past, electric more currently) resulting in a cleaner surface.  (Luster is a result of light reflection off a surface. The more glass like the surface, the better the luster.)
You knew I’d have to look at the toxicity profile of sodium hydroxide, which is considered one of the building blocks of chemistry.  It’s a very powerful alkali.   It’s used in industry in a broad range of categories: chemical manufacturing; pulp and paper manufacturing; cleaning products such as drains, pipe lines and oven cleaners ; petroleum and natural gas; cellulose film;  and water treatment as well as textiles. The US Food and Drug Administration (FDA) considers sodium hydroxide to be generally safe, and recognizes it as not being found to pose unacceptable dietary risks, though it is generally only used on food contact surfaces rather than in foodstuffs.

The chemical is toxic to wildlife, and the EPA requires that effluent containing NaOH not be discharged into groundwater.  Because sodium hydroxide falls in the group of chemicals (salts) which are by far the most often used in textile processing, the sheer volume of NaOH used by the textile industry is important to recognize.  Usual salt concentrations in cotton mill wastewater can be 2,000 – 3,000 ppm[3], far in excess of Federal guidelines for in-stream salt concentrations of 230 ppm.  So treatment of effluent is very important, as prevention is the only reasonable alternative to solve the environmental problems associated with this hard-to-treat, high volume waste.  I have read that electrochemical cell treatment might be a substitute for using NaOH to mercerize.  This process occurs in a low voltage electrochemical cell that mercerizes, sours, and optionally bleaches without effluents and without the purchase of bulk caustic, neutralizing acids, or bleaches.





How to buy a quality sofa – part 4: natural fibers

10 10 2012

Since the 1960s, the use of synthetic fibers has increased dramatically,  causing the natural fiber industry to lose much of its market share. In December 2006, the United Nations General Assembly declared 2009 the International Year of Natural Fibres (IYNF); a year-long initiative focused on raising global awareness about natural fibers with specific focus on increasing market demand to help ensure the long-term sustainability for farmers who rely heavily on their production.

                       International Forum for Cotton Promotion

Natural fibers  have a history of being considered the fibers that are easiest to live with, valued for their comfort, soft hand and versatility.  They also carry a certain cachet:  cashmere, silk taffeta and 100% pure Sea Island cotton convey different images than does 100% rayon,  pure polyester or even Ultrasuede, don’t they?  And natural fibers, being a bit of an artisan product, are highly prized especially in light of campaigns by various trade associations to brand fiber:    “the fabric of our lives” from Cotton, Inc. and merino wool with the pure wool label are two examples.                                                              

Preferences for natural fibers seem to be correlated with income; in one study, people with higher incomes preferred natural fibers by a greater percentage than did those in lower income brackets.   Cotton Incorporated funded a study that demonstrated that  66% of all women with household incomes over $75,000 prefer natural fibers to synthetic.

What are the reasons, according to the United Nations, that make natural fibers so important?  The UN website, Discover Natural Fibers lists the following reasons why natural fibers are a good choice.  Please remember that this list does not include organic natural fibers, which provide even more benefits (but that’s another post):

  1. Natural fibers are a healthy choice.
    1. Natural fiber textiles absorb perspiration and release it into the air, a process called “wicking” that creates natural ventilation. Because of their more compact molecular structure, synthetic fibers cannot capture air and “breathe” in the same way. That is why a cotton T-shirt is so comfortable to wear on a hot summer’s day, and why polyester and acrylic garments feel hot and clammy under the same conditions. (It also explains why sweat-suits used for weight reduction are made from 100% synthetic material.) The bends, or crimp, in wool fibers trap pockets of air which act as insulators against both cold and heat – Bedouins wear thin wool to keep them cool. Since wool can absorb liquids up to 35% of its own weight, woollen blankets efficiently absorb and disperse the cup of water lost through perspiration during sleep, leaving sheets dry and guaranteeing a much sounder slumber than synthetic blankets.
    2. The “breathability” of natural fiber textiles makes their wearers less prone to skin rashes, itching and allergies often caused by synthetics. Garments, sheets and pillowcases of organic cotton or silk are the best choice for children with sensitive skins or allergies, while hemp fabric has both a high rate of moisture dispersion and natural anti-bacterial properties.   Studies by Poland’s Institute of Natural Fibers have shown that 100% knitted linen is the most hygienic textile for bed sheets – in clinical tests, bedridden aged or ill patients did not develop bedsores. The institute is developing underwear knitted from flax which, it says, is significantly more hygienic than nylon and polyester. Chinese scientists also recommend hemp fiber for household textiles, saying it has a high capacity for absorption of toxic gases.
  2. Natural fibers are a responsible choice.
    1. Natural fibers production, processing and export are vital to the economies of many developing countries and the livelihoods of millions of small-scale farmers and low-wage workers. Today, many of those economies and livelihoods are under threat: the global financial crisis has reduced demand for natural fibers as processors, manufacturers and consumers suspend purchasing decisions or look to cheaper synthetic alternatives.
    2. Almost all natural fibers are produced by agriculture, and the major part is harvested in the developing world.
      1. For example, more than 60% of the world’s cotton is grown in China, India and Pakistan. In Asia, cotton is cultivated mainly by small farmers and the sale of cotton provides the primary source of income for some 100 million rural households.
      2. In India and Bangladesh, an estimated 4 million marginal farmers earn their living – and support 20 million dependents – from the cultivation of jute, used in sacks, carpets, rugs and curtains. Competition from synthetic fibers has eroded demand for jute over recent decades and, in the wake of recession, reduced orders from Europe and the Middle East could cut jute exports even further.
      3. Silk is another important industry in Asia. Raising silkworms generates income for some 700 000 farm households in India, while silk processing provide jobs for 20 000 weaving families in Thailand and about 1 million textile workers in China.
      4. Each year, developing countries produce around 500 000 tonnes of coconut fiber – or coir – mainly for export to developed countries for use in rope, nets, brushes, doormats, mattresses and insulation panels. In Sri Lanka, the single largest supplier of brown coir fiber to the world market, coir goods account for 6% of agricultural exports, while 500 000 people are employed in small-scale coir factories in southern India.
      5. Across the globe in Tanzania, government and private industry have been working to revive once-booming demand for sisal fiber, extracted from the sisal agave and used in twine, paper, bricks and reinforced plastic panels in automobiles. Sisal cultivation and processing in Tanzania directly employs 120 000 people and the sisal industry benefits an estimated 2.1 million people.
  3. Natural fibers are a sustainable choice.
    1. Natural fibers will play a key role in the emerging “green” economy based on energy efficiency, the use of renewable feed stocks in bio-based polymer products, industrial processes that reduce carbon emissions and recyclable materials that minimize waste.  Natural fibers are a renewable resource, par excellence – they have been renewed by nature and human ingenuity for millennia. During processing, they generate mainly organic wastes and leave residues that can be used to generate electricity or make ecological housing material. And, at the end of their life cycle, they are 100% biodegradable.
    2. An FAO study estimated that production of one ton of jute fiber requires just 10% of the energy used for the production of one ton of synthetic fibers (since jute is cultivated mainly by small-scale farmers in traditional farming systems, the main energy input is human labor, not fossil fuels).
    3. Processing of some natural fibers can lead to high levels of water pollutants, but they consist mostly of biodegradable compounds, in contrast to the persistent chemicals, including heavy metals, released in the effluent from synthetic fiber processing. More recent studies have shown that producing one ton of polypropylene – widely used in packaging, containers and cordage – emits into the atmosphere more than 3 ton of carbon dioxide, the main greenhouse gas responsible for global warming. In contrast, jute absorbs as much as 2.4 tonnes of carbon per tonne of dry fiber.
    4. The environmental benefits of natural fiber products accrue well beyond the production phase. For example, fibers such as hemp, flax and sisal are being used increasingly as reinforcing in place of glass fibers in thermoplastic panels in automobiles. Since the fibers are lighter in weight, they reduce fuel consumption and with it carbon dioxide emissions and air pollution.
    5. But where natural fibers really excel is in the disposal stage of their life cycle. Since they absorb water, natural fibers decay through the action of fungi and bacteria – this releases the fixed CO2 in the fibers and closes the cycle; it also improves soil structure.  Synthetics present society with a range of disposal problems. In land fills they release heavy metals and other additives into soil and groundwater. Recycling requires costly separation, while incineration produces pollutants and, in the case of high-density polyethylene, 3 tonnes of carbon dioxide emissions for every tonne of material burnt. Left in the environment, synthetic fibers contribute, for example, to the estimated 640 000 tonnes of abandoned fishing nets and gear in the world’s oceans.
  4. Natural fibers are a high-tech choice.
    1. Natural fibers have intrinsic properties – mechanical strength, low weight and low cost – that have made them particularly attractive to the automobile industry.
      1. In Europe, car makers are using mats made from abaca, flax and hemp in press-molded      thermoplastic panels for door liners, parcel shelves, seat backs, engine shields and headrests.
        1. For consumers, natural fiber composites in automobiles provide better thermal and acoustic insulation than fiberglass, and reduce irritation of the skin and respiratory system. The low density of plant fibers also reduces vehicle weight, which cuts fuel consumption.
        2. For car manufacturers, the moulding process consumes less energy than that of fibreglass and produces less wear and tear on machinery, cutting production costs by up to 30%. The use of natural fibres by Europe’s car industry is projected to reach 100 000 tonnes by 2010. German companies lead the way. Daimler-Chrysler has developed a flax-reinforced polyester composite, and in 2005 produced an award-winning spare wheel well cover that incorporated abaca yarn from the Philippines. Vehicles in some BMW series contain up to 24 kg of flax and sisal. Released in July 2008, the Lotus Eco Elise (pictured above) features body panels made with hemp, along with sisal carpets and seats upholstered with hemp fabric. Japan’s carmakers, too, are “going green”. In Indonesia, Toyota manufactures door trims made from kenaf and polypropylene, and Mazda is using a bioplastic made with kenaf for car interiors.
    1. Worldwide, the construction industry is moving to natural fibres for a range of products, including light structural walls, insulation materials, floor and wall coverings, and roofing. Among recent innovations are cement blocks reinforced with sisal fibre, now being manufactured in Tanzania and Brazil. In India, a growing shortage of timber for the construction industry has spurred development of composite board made from jute veneer and coir ply – studies show that coir’s high lignin content makes it both stronger and more resistant to rotting than teak. In Europe, hemp hurd and fibres are being used in cement and to make particle boards half the weight of wood-based boards. Geotextiles are another promising new outlet for natural fibre producers. Originally developed in the Netherlands for the construction of dykes, geotextile nets made from hard natural fibres strengthen earthworks and encourage the growth of plants and trees, which provide further reinforcement. Unlike plastic textiles used for the same purpose, natural fibre nets – particularly those made from coir – decay over time as the earthworks stabilize.
  1. Natural fibers are a fashionable choice.
    John Patrick Organic Fall/Winter 2010
    1. Natural fibers are at the heart of a fashion movement that goes by various names: sustainable, green, uncycled, ethical, eco-, even eco-environmental. It focuses fashion on concern for the environment, the well-being of fiber producers and consumers, and the conditions of workers in the textile industry. Young designers now offer “100% carbon neutral” collections that strive for sustainability at every stage of their garments’ life cycle – from production, processing and packaging to transportation, retailing and ultimate disposal. Preferred raw materials include age-old fibres such as flax and hemp, which can be grown without agrochemicals and produce garments that are durable, recyclable and biodegradable. Fashion collections also feature organic wool, produced by sheep that have not been exposed to pesticide dips, and “cruelty-free” wild silk, which is harvested – unlike most silk – after the moths have left their cocoons.
    2. The Global Organic Textile Standard (GOTS)   sets strict standards on chemicals permitted in processing, on waste water treatment, packaging material and technical quality parameters, on factory working conditions and on residue testing.
    3. Sustainable fashion intersects with the “fair trade” movement, which offers producers in developing countries higher prices for their natural fibres and promotes social and environmental standards in fibre processing. Fair trade fashion pioneers are working with organic cotton producers’ cooperatives in Mali, hand-weavers groups in Bangladesh and Nepal, and alpaca producers in Peru. A major UK chain store launched in 2007 a fair trade range of clothing that uses cotton “ethically sourced” from farmers in the Gujarat region of India. It has since sold almost 5 million garments and doubled sales in the first six months of 2008.
    4. Another dimension of sustainable fashion is concern for the working conditions of employees in textile and garment factories, which are often associated with long working hours, exposure to hazardous chemicals used in bleaching and dyeing, and the scourge of child labor. The  Global Organic Textile Standard (GOTS), widely accepted by manufacturers, retailers and brand dealers, includes a series of “minimum social criteria” for textile processing, including a prohibition on the use of child labor, workers’ freedom of association and right to collective bargaining, safe and hygienic working conditions, and “living wages”.




How to buy a “quality” sofa – part 4, fabric

26 09 2012

This week we’ll begin to talk about the fabric used in your sofa – which we (of course) think is a very complicated and important topic! One thing to remember is that there is much more fabric used in constructing an upholstered piece of furniture than just the decorative fabric that you see covering the piece – a typical “quality” sofa also uses about 20 yards of decorative fabric, plus 20 yds of lining fabric, 15 yds of burlap and 10 yds of muslin, for a total of 65 yards of fabric!

So what do people look for in an upholstery fabric?

After color, fabric durability is probably top of everybody’s list.  Durability translates into most people’s minds as “heft” – in other words, a lightweight cotton doesn’t usually come to mind. But more important in evaluating durability than the weight of the fabric is the length of the fibers.  Cotton as a fiber is much softer and of shorter lengths than either hemp or linen, averaging 0.79 -1.30 inches in length.  Hemp’s average length is 8 inches, but can range up to 180 inches in length. In a study done by Tallant et. al. of the Southern Regional Research Laboratory,  “results indicate that increases in shortfibers are detrimental to virtually all yarn and fabric properties and require increased roving twist for efficient drafting during spinning. A 1% increase in fibers shorter than 3/8 in. causes a strength loss in yarns of somewhat more than 1%.”[1]    In fact, the US textile industry has  advocated obtaining the Short Fiber Content (SFC) for cotton classification.  SFC is defined as the percentage of fibers shorter than ½ inch.  So a lower cost sofa upholstered in cotton fabric, even one identified as an upholstery fabric, could have been woven of short fiber cotton, a cheaper alternative to longer fiber cotton and one which is inherently less durable.

Patagonia, the California manufacturer of outdoor apparel, has conducted  tests on both hemp and other natural fibers, with the results showing that hemp has eight times the tensile strength and four times the durability of other natural fibers.   Ecolution had a hemp twill fabric tested for tensile and tear strength, and compared the results with a 12-oz cotton denim.  Hemp beat cotton every time:   Overall, the 100% hemp fabric had 62% greater tear strength and 102% greater tensile strength. [2]   And polyester trumps them both – but that’s a whole different ballgame, and we’ll get to that eventually.

There is a high correlation between fiber strength and yarn strength.  People have used silk as an upholstery fabric for hundreds of years, and often the silk fabric is quite lightweight;  but silk is a very strong fiber.

In addition to the fiber used, yarns are given a twist to add strength. This is called Twist Per Inch or Meter (TPI or TPM) – a tighter twist (or more turns per inch) generally gives more strength.  These yarns are generally smooth and dense.

So that brings us to weave structure.  Weave structures get very complicated, and we can refer you to lots of references for those so inclined  to do more research (see references listed at the end of the post).

But knowing the fibers, yarn and weave construction still doesn’t answer people’s questions – they want some kind of objective measurement.  So in order to objectively compare fabrics,  tests to determine wear were developed (called abrasion tests), and many people today refer to these test results as a way to measure fabric durability.

Abrasion test results are supposed to forecast how well a fabric will stand up to wear and tear in upholstery applications.  There are two tests generally used:  Martindale  and Wyzenbeek (WZ).  Martindale is the preferred test in Europe; Wyzenbeek is preferred in the United States.  There is no correlation between the two tests, so it’s not possible to estimate the number of cycles that would be achieved on one test if the other were known:

  • Wyzenbeek (ASTM D4157-02):  a piece of cotton duck  fabric or wire mesh is rubbed in a straight back and forth motion on a      piece of fabric until “noticeable wear” or thread break is evident.  One back and forth motion is called a “double rub” (sometimes written as “dbl rub”).
  • Martindale (ASTM D4966-98):  the abradant in this test is worsted wool or wire screen, the fabric specimen is a circle or round      shape, and the rubbing is done in a figure 8, and not in a straight line as in Wyzenbeek.  One circle 8 is a cycle.

The Association for Contract Textiles performance guidelines lists the following test results as being suitable for commercial fabrics:

Wyzenbeek Martindale
General contract 15,000 20,000
Heavy duty contract 30,000 40,000

According to the Association for Contract Textiles, end use examples of “heavy duty contract” where 30,000 WZ results should be appropriate are single shift corporate offices, hotel rooms, conference rooms and dining areas.  Areas which would require higher than 30,000 WZ are: 24 hour facilities (like transportation terminals, healthcare emergency rooms, casino gambling areas,  and telemarketing offices) and theatres, stadiums, lecture halls and fast food restaurants.

Sina Pearson, the textile designer, has been quoted in the Philadelphia Inquirer as saying that 6,000 rubs (Wyzenbeek) may be “just fine” for residential use”[3]   The web site for Vivavi furniture gives these ratings for residential use:

Wyzenbeek
from to
Light use 6,000 9,000
Medium use 9,000 15,000
Heavy use 15,000 30,000
Maximum use >30,000

Theoretically, the higher the rating (from either test) the more durable the fabric is purported to be.  It’s not unusual for designers today to ask for 100,000 WZ results.  Is this because we think more is always better?  Does a test of 1,000,000 WZ guarantee that your fabric will survive years longer than one rated only 100,000 WZ?  Maripaul Yates, in her guidebook for interior designers, says that “test results are so unreliable and the margin of error is so great that its competency as a predictor of actual wear is questionable.”[4]  The Association for Contract Textiles website states that “double rubs exceeding 100,000 are not meaningful in providing additional value in use.  Higher abrasion resistance does not necessarily indicate a significant extension of the service life of the fabric.”

And of course, any company can skew results in their favor.  This is an image I found on Google images, with abrasion test results from a company selling leather motorcycle clothing.  They did say that “leather will sometimes score up to 100,000 cycles or so on the Wyzenbeek test, but testing to destruction (over 50k cycles) doesn’t always prove much.”  No comment on these results !

There are, apparently, many ways to tweak test results. We’ve been told if we don’t like the test results from one lab, we can try Lab X, where the results tend to be better.  The reasons that these tests produce inconsistent results are:

  1. Variation in test methods:       Measuring the resistance to abrasion is very complex.  Test results are affected by many factors that include the properties and dimensions of  the fibers; the structure of the yarns; the construction of the fabrics;  the type, kind and amount of treatments added to the fibers, yarns, or      fabric; the time elapsed since the abradant was changed;  the type of  abradant used; the tension of the specimen being tested,the pressure between the abradant and the specimen…and other variables.
  2. Subjectivity:    The  measurement of the relative amount of abrasion can be affected by the method of evaluation and is often influenced by the judgment of the operator.  Cycles to rupture, color change, appearance change and so forth are highly variable parameters and subjective.
  3. Games Playing:     Then there is, frankly, dishonest collusion between the tester and the testee.  There are lots of games that are played. For instance, in Wyzenbeek, the abradant, either cotton duck or a metal screen, must be replaced every million double rubs. If your fabric is tested at the beginning of that abradant’s life versus the end of its life, well.. you can see the games. Also, how much tension the subject fabric is under –  the “pull” of the stationary anchor of the subject fabric, affects the  rating.

In the final analysis, if you have doubts about the durability of a fabric,  will any number of test results convince you otherwise?  Also, if your heart is set on a silk  jacquard, for example, I bet it would take a lot of data to sway you from your heart’s desire.  Some variables just trump the raw data.

REFERENCES FOR WEAVE STRUCTURE:

1.  Peirce, F.T., The Geometry of Cloth Structure, “The Journal of the Textile Institute”, 1937: pp. 45 – 196

2. Brierley, S. Cloth Settings Reconsidered The Textile Manufacturer 79 1952: pp. 349 – 351.

3. Milašius, V. An Integrated Structure Factor for Woven Fabrics, Part I: Estimation of the Weave The Journal of the Textile Institute 91 Part 1 No. 2 2000: pp. 268 – 276.

4. Kumpikaitė, E., Sviderskytė, A. The Influence of Woven Fabric Structure on the Woven Fabric Strength Materials Science (Medžiagotyra) 12 (2) 2006: pp. 162 – 166.

5. Frydrych, I., Dziworska, G., Matusiak, M. Influence of Yarn Properties on the Strength Properties of Plain Fabric Fibres and Textile in Eastern Europe 4 2000: pp. 42 – 45.

6. ISO 13934-1, Textiles – Tensile properties of fabrics – Part 1: Determination of Maximum Force and Elongation at Maximum Force using the Strip Method, 1999, pp. 16.


[1] Tallant, John, Fiori, Louis and Lagendre, Dorothy, “The Effect of the Short Fibers in a Cotton on its Processing Efficiency and Product Quality”, Textile Research Journal, Vol 29, No. 9, 687-695 (1959)

[3] ‘How will Performance Fabrics Behave”, Home & Design,  The Philadelphia Inquirer, April 11, 2008.

[4] Yates, Maripaul, “Fabrics: A Guide for Interior Designers and Architects”, WW. Norton and Company.





The case for natural fibers

26 06 2012

I’m going to be taking a few weeks off,  and thought I’d recycle some of our old posts.  So if you think you’ve seen these before – you have.   But the issues remain important and it doesn’t hurt to remind you.    I’ve updated the topics a bit if necessary.

Since the 1960s, the use of synthetic fibers has increased dramatically,  causing the natural fiber industry to lose much of its market share.  Polyester – especially recycled polyester – became the fabric of choice in the United States.   It was cheap, and oil was plentiful.  But with with dawning realization that the party might be over, polyester prices – and those of other synthetics – will reflect climbing oil prices, so the price of synthetics may equal those of natural fibers.

International Forum for Cotton Promotion

Natural fibers  have a history of being considered the highest quality fibers, valued for their comfort, soft hand and versatility.  They also carry a certain cachet:  cashmere, silk taffeta and 100% pure Sea Island cotton convey different images than does 100% rayon,  pure polyester or even Ultrasuede, don’t they?  And natural fibers, being a bit of an artisan product, are highly prized especially in light of campaigns by various trade associations to brand its fiber:   “the fabric of our lives” from Cotton, Inc. and merino wool with the pure wool label are two examples. 

Preferences for natural fibers seem to be correlated with income; in one study, people with higher incomes preferred natural fibers by a greater percentage than did those in lower income brackets.   Cotton Incorporated funded a study that demonstrated that  66% of all women with household incomes over $75,000 prefer natural fibers to synthetic.

What are the reasons, according to the United Nations, that make natural fibers so important?  As  the UN website, Discover Natural Fibers says:

  1. Natural fibers are a healthy choice.
    1. Natural fiber textiles absorb perspiration and release it into the air, a process called “wicking” that creates natural ventilation. Because of their more compact molecular structure, synthetic fibers cannot capture air and “breathe” in the same way. That is why a cotton T-shirt is so comfortable to wear on a hot summer’s day, and why polyester and acrylic garments feel hot and clammy under the same conditions. (It also explains why sweat-suits used for weight reduction are made from 100% synthetic material.) The bends, or crimp, in wool fibers trap pockets of air which act as insulators against both cold and heat – Bedouins wear thin wool to keep them cool. Since wool can absorb liquids up to 35% of its own weight, woollen blankets efficiently absorb and disperse the cup of water lost through perspiration during sleep, leaving sheets dry and guaranteeing a much sounder slumber than synthetic blankets.
    2. The “breathability” of natural fiber textiles makes their wearers less prone to skin rashes, itching and allergies often caused by synthetics. Garments, sheets and pillowcases of organic cotton or silk are the best choice for children with sensitive skins or allergies, while hemp fabric has both a high rate of moisture dispersion and natural anti-bacterial properties.   Studies by Poland’s Institute of Natural Fibers have shown that 100% knitted linen is the most hygienic textile for bed sheets – in clinical tests, bedridden aged or ill patients did not develop bedsores. The institute is developing underwear knitted from flax which, it says, is significantly more hygienic than nylon and polyester. Chinese scientists also recommend hemp fiber for household textiles, saying it has a high capacity for absorption of toxic gases.
  2. Natural fibers are a responsible choice.
    1. Natural fibers production, processing and export are vital to the economies of many developing countries and the livelihoods of millions of small-scale farmers and low-wage workers. Today, many of those economies and livelihoods are under threat: the global financial crisis has reduced demand for natural fibers as processors, manufacturers and consumers suspend purchasing decisions or look to cheaper synthetic alternatives.
    2. Almost all natural fibers are produced by agriculture, and the major part is harvested in the developing world.
      1. For example, more than 60% of the world’s cotton is grown in China, India and Pakistan. In Asia, cotton is cultivated mainly by small farmers and its sale provides the primary source of income of some 100 million rural households.
      2. In India and Bangladesh, an estimated 4 million marginal farmers earn their living – and support 20 million dependents – from the cultivation of jute, used in sacks, carpets, rugs and curtains. Competition from synthetic fibers has eroded demand for jute over recent decades and, in the wake of recession, reduced orders from Europe and the Middle East could cut jute exports by 20% in 2009.
      3. Silk is another important industry in Asia. Raising silkworms generates income for some 700 000 farm households in India, while silk processing provide jobs for 20 000 weaving families in Thailand and about 1 million textile workers in China. Orders of Indian silk goods from Europe and the USA are reported to have declined by almost 50% in 2008-09.
      4. Each year, developing countries produce around 500 000 tonnes of coconut fiber – or coir – mainly for export to developed countries for use in rope, nets, brushes, doormats, mattresses and insulation panels. In Sri Lanka, the single largest supplier of brown coir fiber to the world market, coir goods account for 6% of agricultural exports, while 500 000 people are employed in small-scale coir factories in southern India.
      5. Across the globe in Tanzania, government and private industry have been working to revive once-booming demand for sisal fiber, extracted from the sisal agave and used in twine, paper, bricks and reinforced plastic panels in automobiles. Sisal cultivation and processing in Tanzania directly employs 120 000 people and the sisal industry benefits an estimated 2.1 million people. However, the global slowdown has cut demand for sisal, forced a 30% cut in prices, and led to mounting job losses.
  3. Natural fibers are a sustainable choice.
    1. Natural fibers will play a key role in the emerging “green” economy based on energy efficiency, the use of renewable feed stocks in bio-based polymer products, industrial processes that reduce carbon emissions and recyclable materials that minimize waste.  Natural fibers are a renewable resource, par excellence – they have been renewed by nature and human ingenuity for millennia. They are also carbon neutral: they absorb the same amount of carbon dioxide they produce. During processing, they generate mainly organic wastes and leave residues that can be used to generate electricity or make ecological housing material. And, at the end of their life cycle, they are 100% biodegradable.
    2. An FAO study estimated that production of one ton of jute fiber requires just 10% of the energy used for the production of one ton of synthetic fibers (since jute is cultivated mainly by small-scale farmers in traditional farming systems, the main energy input is human labor, not fossil fuels).
    3. Processing of some natural fibers can lead to high levels of water pollutants, but if the processing is done to Global Organic Textile Standards, it consists mostly of biodegradable compounds, in contrast to the persistent chemicals, including heavy metals, released in the effluent from synthetic fiber processing.
    4. The environmental benefits of natural fiber products accrue well beyond the production phase. For example, fibers such as hemp, flax and sisal are being used increasingly as reinforcing in place of glass fibers in thermoplastic panels in automobiles. Since the fibers are lighter in weight, they reduce fuel consumption and with it carbon dioxide emissions and air pollution.
    5. But where natural fibers really excel is in the disposal stage of their life cycle. Since they absorb water, natural fibers decay through the action of fungi and bacteria. Natural fiber products (processed organically)  can be composted to improve soil structure, or incinerated with no emission of pollutants and release of no more carbon than the fibers absorbed during their lifetimes. Synthetics present society with a range of disposal problems. In land fills they release heavy metals and other additives into soil and groundwater. Recycling requires costly separation, while incineration produces pollutants and, in the case of high-density polyethylene, 3 tonnes of carbon dioxide emissions for every tonne of material burnt. Left in the environment, synthetic fibers contribute, for example, to the estimated 640 000 tonnes of abandoned fishing nets and gear in the world’s oceans.
  4. Natural fibers are a high-tech choice.
    1. Natural fibers have intrinsic properties – mechanical strength, low weight  – that have made them particularly attractive to the automobile industry.
      1. In Europe, car makers are using mats made from abaca, flax and hemp in press-molded      thermoplastic panels for door liners, parcel shelves, seat backs, engine shields and headrests.
        1. For consumers, natural fiber composites in automobiles provide better thermal and acoustic insulation than fiberglass, and reduce irritation of the skin and respiratory system. The low density of plant fibers also reduces vehicle weight, which cuts fuel consumption.
        2. For car manufacturers, the moulding process consumes less energy than that of fibreglass and produces less wear and tear on machinery, cutting production costs by up to 30%.  German companies lead the way. Daimler-Chrysler has developed a flax-reinforced polyester composite, and in 2005 produced an award-winning spare wheel well cover that incorporated abaca yarn from the Philippines. Vehicles in some BMW series contain up to 24 kg of flax and sisal. Released in July 2008, the Lotus Eco Elise (pictured above) features body panels made with hemp, along with sisal carpets and seats upholstered with hemp fabric. Japan’s carmakers, too, are “going green”. In Indonesia, Toyota manufactures door trims made from kenaf and polypropylene, and Mazda is using a bioplastic made with kenaf for car interiors.
    1. Worldwide, the construction industry is moving to natural fibres for a range of products, including light structural walls, insulation materials, floor and wall coverings, and roofing. Among recent innovations are cement blocks reinforced with sisal fibre, now being manufactured in Tanzania and Brazil. In India, a growing shortage of timber for the construction industry has spurred development of composite board made from jute veneer and coir ply – studies show that coir’s high lignin content makes it both stronger and more resistant to rotting than teak. In Europe, hemp hurd and fibres are being used in cement and to make particle boards half the weight of wood-based boards. Geotextiles are another promising new outlet for natural fibre producers. Originally developed in the Netherlands for the construction of dykes, geotextile nets made from hard natural fibres strengthen earthworks and encourage the growth of plants and trees, which provide further reinforcement. Unlike plastic textiles used for the same purpose, natural fibre nets – particularly those made from coir – decay over time as the earthworks stabilize.
  1. Natural fibers are a fashionable choice.
    John Patrick Organic Fall/Winter 2010
    1. Natural fibers are at the heart of a fashion movement that goes by various names: sustainable, green, uncycled, ethical, eco-, even eco-environmental. It focuses fashion on concern for the environment, the well-being of fiber producers and consumers, and the conditions of workers in the textile industry. Young designers now offer “100% carbon neutral” collections that strive for sustainability at every stage of their garments’ life cycle – from production, processing and packaging to transportation, retailing and ultimate disposal. Preferred raw materials include age-old fibres such as flax and hemp, which can be grown without agrochemicals and produce garments that are durable, recyclable and biodegradable. Fashion collections also feature organic wool, produced by sheep that have not been exposed to pesticide dips, and “cruelty-free” wild silk, which is harvested – unlike most silk – after the moths have left their cocoons.
    2. The Global Organic Textile Standard (GOTS)   sets strict standards on chemicals permitted in processing, on waste water treatment, packaging material and technical quality parameters, on factory working conditions and on residue testing.
    3. Sustainable fashion intersects with the “fair trade” movement, which offers producers in developing countries higher prices for their natural fibres and promotes social and environmental standards in fibre processing. Fair trade fashion pioneers are working with organic cotton producers’ cooperatives in Mali, hand-weavers groups in Bangladesh and Nepal, and alpaca producers in Peru. A major UK chain store launched in 2007 a fair trade range of clothing that uses cotton “ethically sourced” from farmers in the Gujarat region of India. It has since sold almost 5 million garments and doubled sales in the first six months of 2008.
    4. Another dimension of sustainable fashion is concern for the working conditions of employees in textile and garment factories, which are often associated with long working hours, exposure to hazardous chemicals used in bleaching and dyeing, and the scourge of child labor. The recently approved (November 2008) Global Organic Textile Standard, widely accepted by manufacturers, retailers and brand dealers, includes a series of “minimum social criteria” for textile processing, including a prohibition on the use of child labor, workers’ freedom of association and right to collective bargaining, safe and hygienic working conditions, and “living wages”.